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Wheatfield with Crows - Vincent van Gogh
Wheatfield with Crows is a July 1890 painting by Vincent van Gogh. It has been cited by several critics as one of his greatest works. It is commonly stated that this was van Gogh's final painting. However, art historians are...
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A Wheatfield with Cypresses - Vincent van Gogh
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was...
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In the Dunes (In de Duinen) - Vincent Van Gogh
Vincent Willem van Gogh was a Dutch post-impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most...
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The Sower
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The Sower
This work was inspired by a 1850 painting by Jean-François Millet of a sower. Vincent felt an intense bond with Millet's art. Both Vincent and Millet were Christians and the former regarded the latter's work as a preeminent example of...
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Peach Blossoms In The Crau
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Peach Blossoms In The Crau
Le Crau with Peach Trees in Blossom was painted by Vincent van Gogh in 1889 and captures what drew van Gogh to southern France. Vincent moved to Provence for the restorative warmth of the sun and picturesque tranquility of the...
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Landscape From Saint-Rémy - Vincent van Gogh
In 1889 van Gogh was voluntarily admitted to the mental hospital Saint-Paul-de-Mausole. The motif is his interpretation of the view from his room, which he depicted in several versions with varying conditions of weather and light. The serpentine brush-strokes and...
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Harvest At La Crau with Montmajour in the Background - Vincent van Gogh
Van Gogh wanted to show peasant life and work on the land – a recurring theme in his art – and painted several stages of the harvest. We see a half mowed wheatfield, ladders and several carts. A reaper works...
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Claude Monet - Impression, Sunrise
 Impression, Sunrise, seemed to be the emphasis of the style. It was a depiction of Le Havre harbour in the fog. His new honed technique used short brush strokes and strong colours, shunning the blending that came with classical painting.
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