Kapurush - Le Lache

• Once you place the order on our website, your artwork stars processing the same day
• Our Highest Grade Museum Prints take 2-3 days to dry up completely.
• The Artwork is then Framed and shipped in Safe 3-Layered Packaging to ensure complete safety of the artwork. **Please Note: The " Only Print / No Frame " art print is rolled inside a tube and shipped
•Your Artwork is eligible for a 7 Days return or replacement.

It takes 3-5 business days to process all orders including multiple quality checks. After which they are immediately dispatched* from our warehouse & you will receive a tracking link to your registered Email which would give the exact date the prints would reach your doorstep.

Please note that all our prints are made to order & created only once your order is placed, this is to ensure only the best quality for your prints. But because of this we take a bit longer to have your prints ready and delivered to you. Please bear with us while we get your prints ready. If your order is time sensitive please whatsapp us at +91 7349487781 to check if we can deliver within that timeline.

Satyajit Ray, Bengali motion-picture director, writer, and illustrator who brought the Indian cinema to world recognition with Pather Panchali (1955; The Song of the Road) and its two sequels, known as the Apu Trilogy. As a director, Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Ray’s major films about Hindu orthodoxy and feudal values (and their potential clash with modern Western-inspired reforms) include Jalsaghar (1958; The Music Room), an impassioned evocation of a man’s obsession with music; Devi (1960; The Goddess), in which the obsession is with a girl’s divine incarnation; Sadgati (1981; Deliverance), a powerful indictment of caste; and Kanchenjungha (1962), Ray’s first original screenplay and first colour film, a subtle exploration of arranged marriage among wealthy, westernized Bengalis. Shatranj ke Khilari (1977; The Chess Players), Ray’s first film made in the Hindi language, with a comparatively large budget, is an even subtler probing of the impact of the West on India.